Toy Stories | gabriele galimberti
Everyone remembers their childhood toys. Indeed, when Galimberti hit upon the idea of photographing children from around the world with their toys, he was not expecting to uncover much we did not already know: kids love dolls and dinosaurs and trucks and cuddly monkeys, and will construct worlds around them before eventually, inevitably, disregarding them for ever. “At their age, they are pretty all much the same,” is his conclusion after 18 months working on the project. “They just want to play.”But how they play can reveal a lot. “The richest children were more possessive. At the beginning, they wouldn’t want me to touch their toys, and I would need more time before they would let me play with them,”
More common was how the toys reflected the world each child was born into: so the girl from an affluent Mumbai family loves Monopoly, because she likes the idea of building houses and hotels, while the boy from rural Mexico loves trucks, because he sees them rumbling through his village to the nearby sugar plantation every day.
Ultimately, the toys on display reveal the hopes and ambitions of the people who bought them in the first place. “Doing this, I learnt more about the parents than I did about the kids,” says Galimberti.
Everyone remembers their childhood toys. Indeed, when Galimberti hit upon the idea of photographing children from around the world with their toys, he was not expecting to uncover much we did not already know: kids love dolls and dinosaurs and trucks and cuddly monkeys, and will construct worlds around them before eventually, inevitably, disregarding them for ever. “At their age, they are pretty all much the same,” is his conclusion after 18 months working on the project. “They just want to play.”But how they play can reveal a lot. “The richest children were more possessive. At the beginning, they wouldn’t want me to touch their toys, and I would need more time before they would let me play with them,” More common was how the toys reflected the world each child was born into: so the girl from an affluent Mumbai family loves Monopoly, because she likes the idea of building houses and hotels, while the boy from rural Mexico loves trucks, because he sees them rumbling through his village to the nearby sugar plantation every day.
Ultimately, the toys on display reveal the hopes and ambitions of the people who bought them in the first place. “Doing this, I learnt more about the parents than I did about the kids,” says Galimberti.
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